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Miracles and things we can’t explain happened and that was something I really loved about my childhood.Īs an adult, I’ve become a person who’s much more cynical and skeptical. Magic is something I’ve always been obsessed with. Where does your lyrical interest in magic and deception come from, and why was it important to you to include these themes in your music? But if we can create these spaces we can go to, then it’s like making a little bit of magic. He creates a world that takes you out of your normal world and that’s what I really love: creating a place that doesn’t look like real life because your life can be shitty and boring. I guess I’m really drawn to this sort of larger than life, ‘fantastical, dark but still fun’ thing he does. I decided I didn’t want to write to please anyone else anymore, I wanted to do it for myself. I sat down and challenged myself, with the help of my publisher Benjamin Groff, to figure out what is really in my heart, what do I really wanna sound like and why am I afraid of it? It turns out I’ve always been drawn toward this theatricality and this drama that I have never truly been able to express in my music. I realized at a certain point that while I did love the music I was making, it was more geared to what I thought people would like versus what I truly loved and was passionate about. What made you decide to take your work in a new direction? You’ve said before that your music used to have a poppier sound. Blanc even co-directed the video with cinematographer Devin Schiro.īillboard spoke to Lola Blanc about Manson, drag queens, and making “spooky Tim Burton pop.”

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She explains how to share wisely, but also withhold wisely.įind Rachel's book 'Now I Know, Kids Talking To Kids About Divorce.' here: Lola and Meagan go on to provide insights on what gave them the courage to leave and discuss how it's felt to share their personal tragedy in public as a means to fight the stigma and loneliness of other survivors.īefore You Go: Rachel explains how cults take advantage of followers through the use of confession and relates it to Robert J Lifton's criteria for thought reform. Together they unravel the patriarchal structure of both groups and explain the work it took for them to overcome this sexist conditioning.

In this week's conversation, Lola and Meagan share with Rachel their experiences growing up in cults noting the similarities in the control mechanisms used as well as the after-effects that come to light with distance from the group. On the show, they have interviewed survivors of groups like NXIVM, the Manson Family, Heaven’s Gate, the Children of God, and many more. Together, Lola & Meagan co-host a podcast called Trust Me: Cults, Extreme Belief, and the Abuse of Power, where they share their experiences and fight the stigma cult survivors are often exposed to.

Among members, the church is typically referred to as 'The Truth' or 'The Way' She was raised in a high control Christian group known as the Two by Twos, an international, home-based new religious movement that has its origins in Ireland at the end of the 19th century. Meagan Elizabeth is a stand-up comedian, writer, and actress from Los Angeles who has performed at the legendary Laugh Factory. Much of her work is inspired by her childhood practicing Mormonism, where she and her mother fell prey to a charismatic “prophet,” who turned out to be a cult leader.

Blanc’s work as a filmmaker has been spotlighted by BILLBOARD, FANGORIA, FUNNY OR DIE, and the prestigious short film channel OMELETO. Her single “Angry Too” has over 20 million streams on Spotify, and as a songwriter, Blanc has also written for other artists including Britney Spears.

Lola Blanc is a singer/songwriter, filmmaker, actress, and cult survivor.

Lola blanc